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David Collyer

David Collyer FRPS is a South Wales based photographer. He discovered a passion for telling a story through images as a teenager, spending time with the press photographers and journalists on a local paper in Surrey edited by his father.

As a documentary photographer who works predominantly on long term projects, he returned to shooting film a few years ago, preferring the aesthetic of the finished print to the clinical look of modern digital

His work has been published internationally, and has appeared in magazines and newspapers, as well as the book All in a Day’s Work, documenting hospital staff during the Covid-19 pandemic. The book is in the collection of the British Library and The National Museum of Wales. 

His photo of a shattered theatre practitioner appeared on the front page of The Guardian and was one of Amateur Photographer magazine’s photos of the year in 2020. He is currently working on a further two books, and is a Fellow of the Royal Photographic Society, as well as being named Documentary Photographer of the Year 2021. David is a member of the F/8 Documentary group of photographers. His forthcoming book 50 Plus is currently in the design stage with the publishers, and is due out in mid 2025.

18/5/25

Website: davidcollyerphotography.com

Instagram: @david_collyer_photographer

David Collyer Folio

Project: "A House is not a Home" ©David Collyer 

    “Shoot an Answer” number 1 - week 2

    Are we shooting in the dark? by David Collyer

    I’d initially turn that question around, and say that rather than shooting in the dark, I’m shooting for the dark. My work is largely concerned with transition, whether that be in people, or the lived environment that mankind inhabits, or in the case of these photos, inhabited. I look for the beauty in the bleak. The subtle changes, or the gaping scars left behind, physical or emotional.

    I live in rural South Wales, a stunning landscape shaped by rivers and glaciation, rendered yet more beautiful by the relics of long gone industry and the decaying dwellings of long gone farmers. It’s a hard landscape to tame, and a hard economy to survive in. A House is not a Home is a project I’ve been shooting over three years, recording the effects of the incursions of nature, and the visits of local children and passers through. It’s a dark place to shoot. Graphically sexual graffiti and the occasional  detritus of drug use, provide negative snapshots of human darkness, juxtaposed with the positive image of the unfurling buds and flowers of a new spring. To everything there is a season. 

    So, are we shooting in the dark? Hell yes, but there’s a caveat. We are all looking for the light. Without it as photographers, what do we have? Nothing!

    Canon F1
Film stock: Ilford HP5+ rated at ISO 800.

    Photos were made on a Leica M6 and a Canon F1.

    Film stock is Ilford HP5+ rated at ISO 800.


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