Born in Valença, but since 1990 has lived in Porto, Portugal.
Passionate about the Art of Photography, it was on Instagram that, in 2017, she began
to promote her work, through the profile @marjorges.
The visual poem: Her photography is often in black and white, marked by its contrasts.
Covering subjects such as landscapes, nature and most of all city scenes - inviting the
viewer to enter in an aura of mystery and suspense - she has a melancholic and
emotion-evoking style.
It’s in the daily routines of anonymous people that she observes and wait for the right
moment: in a city with lots of excitement and vibrant energy there is a moment, usually
early morning, that people are more introspective and meditative.
It is this moment that she waits for and that captures all her attention.
Website: https://ulrich-weichert.de/
Instagram: @ulrich_weichert
All in one
In the world we live in and during the various stages throughout life, it is difficult not to
feel influences.
As far as my inspirations are concerned, they can come from literature, painting, music
and in specific case of the photography, I have always been fascinated by
photographers, not only classic but also contemporary.
In 2017, I decided to created my Instagram account and since then I have been
receiving very positive feedback, which actually helps me grow and evolve.
A curious thing is that sometimes people tell me your photo reminds me of that
photographer…”, although sometimes I know him, other times I don't .
I chose this photo because it reminds me of Bresson's “decisive moment”.
In this photo, I tried to ensure that the form and content harmonize in its composition.
I have no degree in this Art. I’m simply an amateur.
This reminds me of a story that happened a few years ago. One day I was in an art
gallery and came across the works of a promising young man.
By chance, this young man was at the gallery, and we chatted for quite some time.
A few years had passed since that conversation, and I returned to the gallery and
asked about the artist's future.
They told me that he was having a lot of success and that he had been advised not to
go to the University of Fine Arts. Curious, I asked why, and they replied, because that
would alter his unique creative capacity;
I confess that such an answer remained etched in my memory. It was like about
preserving the primal imagination, creative process, not depriving it of certain
influences…
With a master's degree in fine arts or not, whether it is right or not is up to the reader to
think about.
Porto – 10/09/2025
